By Michael Van Valkenburgh
Within the box of panorama structure, there isn't any extra distinctive voice than Michael Van Valkenburgh, and it hence turns out acceptable that we commence this new resource Books in panorama sequence along with his lately accomplished Allegheny Riverfront Park undertaking for Pittsburgh, Pennsylvania. As a part of the citys efforts to revive its downtown district and riverfront, Van Valkenburgh, in addition to artists Ann Hamilton and Michael Mercil, built an formidable plan to reform the wasted land alongside the river into an city safe haven. the prestigious collaboration among panorama architect and artist produced a considerate, invaluable, and lovely park that has effectively renewed the citys core.Source Books in panorama structure, produced in collaboration with Ohio nation collage, will offer distinctive documentation of vital new initiatives, following its improvement from perception via crowning glory utilizing sketches, drawings, types, renderings, operating drawings, and images.
Read or Download Allegheny Riverfront Park: Source Books in Landscape Architecture PDF
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Within the box of panorama structure, there isn't any extra special voice than Michael Van Valkenburgh, and it accordingly turns out acceptable that we start this new resource Books in panorama sequence along with his lately accomplished Allegheny Riverfront Park undertaking for Pittsburgh, Pennsylvania. As a part of the citys efforts to revive its downtown district and riverfront, Van Valkenburgh, besides artists Ann Hamilton and Michael Mercil, built an formidable plan to reform the wasted land alongside the river into an city shelter.
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Extra info for Allegheny Riverfront Park: Source Books in Landscape Architecture
We never saw the design solution as a On this project, I learned about the impor- simple uniﬁed whole. It’s a place that people expe- tance of patience when starting a collaboration. rience as a series of elongated linear progressions. It takes awhile to make new friends, and that’s When the initial solicitation for the proj- 36 So I tracked her down in Los Angeles, and I had basically what you’re doing when you begin a col- ect arrived, it said that we had to work with laboration. It’s important to give that time.
The hyper part comes from added to the surface of the ramp walls. Or the intensifying the density of the planting, creating way the vines are presented on the industrial an exaggeration. Because we had so little space, grating—it’s not a vine arbor, it’s something else, the experience of a larger landscape came from it’s a subconscious thing. Lots of times in plant- intensiﬁcation. As with the Vera List Courtyard, ing design you learn to make subtle transitions, it also was an exaggeration of irregularity.
They rest on anchors sixty feet below grade on bedrock. We couldn’t use the ramp itself as a MVV: Allegheny Riverfront Park was really two counterweight because it’s hollow—the city asked projects run end-to-end. The ﬁrst thing was to us to keep it hollow so they could inspect it. Plus, conceive of the park in its totality, as two parts of if it were solid it would be hard to control the cur- a whole. ing of concrete on the inside. 44 SITE SITE 45 Scissoring City, River, Highway civic landscape of the cultural district presented on the upper level of the park.
Allegheny Riverfront Park: Source Books in Landscape Architecture by Michael Van Valkenburgh
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