By Gary Morris
‘Action!’ offers nineteen remarkable interviews with administrators previous and current, from worldwide, operating in numerous genres, budgets and creation environments from significant studios to indie and DIY. the result's a colourful crew portrait of the filmmaking artwork, a type of pageant in phrases that explores every thing from the big artistic and private satisfactions to the demanding situations and frustrations of the process.
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Additional info for Action!: Interviews with Directors from Classical Hollywood to Contemporary Iran
He was rushed, he was harried by the stars. He did what he could–which was better than the other directing talent on the lot. The preceding comments were edited from several letters by George Zuckerman to Michael Stern between August 28, 1975 and mid-1976. Albert Zugsmith on Sirk On Written on the Wind Sirk had a marvelous relationship with Rock, with all the actors. I remember once Bob Stack was in the office. Doug had a little problem with Dorothy [Malone]. She didn’t want to do the dance scene–something that really wasn’t in the script.
America, after Magnificent Obsession, was for me an opportunity. That is very interesting. You mean you welcomed the opportunity of Magnificent Obsession? Yes, for the first time, I began to realize here my ideal of melodrama. It was my first real opportunity. That film, and the melodramas that follow, are all attempts to formulate something. You were in America over ten years before you took that step. Yes, I was hired by Universal because they needed a comedy director. They had seen Scandal and liked it.
Now this predated women’s lib. I wanted to draw SIRK 25 a picture of a woman who is free to the extent that she wasn’t even likeable. I wanted to contrast a masquerade world of gambling and unreality to a new woman’s world. I wanted here to take a woman who is beautiful–a very luscious girl–who wanted to have her way, but not because she is beautiful. ” She was wonderful to work with, putty in a director’s hands. Unfortunately, all this was tamed down by the studio–even before I started on the script.
Action!: Interviews with Directors from Classical Hollywood to Contemporary Iran by Gary Morris
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