By Bruce Sterling
Publish yr note: First released in 1999
From the subversive to the antic, the uproarious to the irritating, the tales of Bruce Sterling are stressed, energy-filled trips via an international operating on empty--the visionary paintings of 1 of our such a lot creative and insightful sleek writers.
They stay as strangers in unusual lands. In worlds that experience fallen--or must have. They salary battles in wars already misplaced and turn into heroes--and occasionally martyrs--in their last-ditch efforts to maintain the honour and individuality of humanity.
A hack Indian filmmaker takes the heart beat of a wounded and declining civilization--21st-century Britain. a couple of swashbuckling Silicon Valley marketers sign up for forces to make a advertisement killing--in natural underground slime and computer-generated jellyfish. a guy in a jap urban takes orders from a speaking cat whereas pursuing a drama of chance and event that has develop into the very essence of his life.
From "The Littlest Jackal", a darkly hilarious mystery of mercs and gunrunners set in Finland, to a stark imaginative and prescient of a post-atomic netherworld in his haunting story "Taklamakan", Bruce Sterling once more breaks barriers, breaks icons, and breaks principles to unharness the main dangerously provocative and clever technology fiction being written today.
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Extra resources for A Good Old-Fashioned Future
Then he said: ‘Right, so thanks again for your part in this, which as I’m pretty sure Mr. ’ He had a graceful, practiced way of panning his gaze back and forth to make sure he addressed the entire table, a skill that was slightly at odds with the bashful, somewhat fidgety presentation of his body as he spoke before the assembled men. The fourteen members of the Focus Group, all male and several with beverages before them, engaged in the slight gestures and expressions of men around a conference table who are less than 100% sure what is going to be expected of them.
There was one obvious hairweave in the room, as well as two victims of untreated Male Pattern Baldness, both of whom—either interestingly or by mere random chance—were among the Group’s four blue-eyed members. When Schmidt thought of Scott Laleman, with his all-season tan and sunglasses pushed musslessly up on his pale hair’s crown, it was as something with the mindless malevolence of a carnivorous eel or skate, something that hunted on autopilot at extreme depths. The African-American male whose head was unshaved sat with the rigidity of someone who had back problems and understood the dignity with which he bore them to be an essential part of his character.
The figure moved swiftly and with numerous moist popping suction-noises up the display window of the Gap, a large retail clothier. He then pulled himself up and over onto the narrow ledge at the base of the second-floor window, rose complexly to his feet, affixed his cups, and swarmed up the pane’s thick glass, which gave onto the Gap’s second floor but had no promotional items displayed within. The figure presented as lithe and expert. His manner of climbing appeared almost more reptilian than mammalian, you’d have to say.
A Good Old-Fashioned Future by Bruce Sterling
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